Second Avenue Subway

I definitely self-identify as a transit nerd, and the subway system is one of my very favorite things about living in New York. For some reason, I wasn't highly anticipating the long-awaited opening of the first phase of the Second Avenue subway line like a lot of people. Maybe, after a hundred years of broken promises and false starts, I subconsciously wasn't allowing myself to get my hopes up. But then on Tuesday night, I took the Q from 96th Street (I work at 92nd and Lex Ave) all the way to my apartment in Brooklyn (steps from the 7th Ave stop) and I was immediately sold.

While obviously not such a game-changer for everyone, the Second Avenue Q extension is expected to relieve some of the crowding on the 4/5/6 line—three lines that carry more riders every single day than the entire DC Metro. Phase 1 includes three new stations at 96th, 86th and 72nd streets, and connects the Q to its existing route via the 63rd Street/Lexington Ave station (where you can transfer to the F). There was doubt that the stations would be ready for the January 1st deadline, and although they're indeed open they are still teeming with MTA workers making last-minute adjustments.

Because I'm endlessly fascinated by the New York City subway system, I visited the new Hudson Yards 7 train station earlier this year. The new Second Avenue stations feel similar in design to Hudson Yards, mixed with the newish stations along Lex Ave and on Roosevelt Island. The stations feel modern—everything is sleek, shiny and clean!—but in my opinion nothing can come close to the mosaic-tiled beauty of the original early-1900s stations.

But the stations do feature some pretty incredible new artwork by Chuck Close, Sarah Sze, Vik Muniz and Jean Shin. Sze's "Blueprint for a Landscape" blankets the entrance and the upstairs of the 96th Street Station with papers that look like they've been blown around by incoming trains. Huge portraits of Lou Reed, Philip Glass, Chuck Close, Kara Walker, Cecily Brown and Alex Katz (all by Close) adorn the 86th Street Station and are done in varying styles, including glass mosaic and painted tiles.

It's Vik Muniz's "Perfect Strangers" mosaics, however, that are the real standout. The mosaic-work is outstanding and the subjects are whimsical but ultimately perfectly ordinary, at least by New York standards. The mosaics feature people of every culture, size, age and class without any political context or agenda—just people being. They reach for balloons, take off their costume head, look at their cellphone, dash for their papers, stare blankly ahead or tenderly hold hands. If we have to sacrifice the tiled station names of yesteryear for art that so perfectly captures the spirit and humanity of New York City, then I think the MTA made the right choice.